{"id":1449,"date":"2025-02-11T09:04:19","date_gmt":"2025-02-11T09:04:19","guid":{"rendered":"https:\/\/www.finearts.cmu.ac.th\/research\/?p=1449"},"modified":"2025-02-14T09:32:32","modified_gmt":"2025-02-14T09:32:32","slug":"art-archived-001","status":"publish","type":"post","link":"https:\/\/www.finearts.cmu.ac.th\/research\/2025\/02\/11\/art-archived-001\/","title":{"rendered":"ART ARCHIVED 001- Padungsak Kochsomrong\u2019s Work at Nakanojo Biennale 2023"},"content":{"rendered":"<h3>\u0e1c\u0e25\u0e07\u0e32\u0e19\u0e02\u0e2d\u0e07\u0e23\u0e2d\u0e07\u0e28\u0e32\u0e2a\u0e15\u0e23\u0e32\u0e08\u0e32\u0e23\u0e22\u0e4c\u0e1e\u0e14\u0e38\u0e07\u0e28\u0e31\u0e01\u0e14\u0e34\u0e4c \u0e04\u0e0a\u0e2a\u0e33\u0e42\u0e23\u0e07 \u0e43\u0e19\u0e40\u0e17\u0e28\u0e01\u0e32\u0e25\u0e28\u0e34\u0e25\u0e1b\u0e30\u0e19\u0e32\u0e04\u0e32\u0e42\u0e19\u0e42\u0e08\u0e40\u0e1a\u0e35\u0e22\u0e19\u0e19\u0e32\u0e40\u0e25\u0e48 2023<\/h3>\n<h4>Padungsak Kochsomrong\u2019s Work at Nakanojo Biennale 2023<\/h4>\n<h4><em>Consideration Area<\/em><\/h4>\n<p><strong> <img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-1450 size-large\" src=\"https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NB2023_Padungsak-Kochsomrong__DSC3708_Credit-Kazuyuki-Miyamoto-1024x684.jpg\" alt=\"\" width=\"840\" height=\"561\" srcset=\"https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NB2023_Padungsak-Kochsomrong__DSC3708_Credit-Kazuyuki-Miyamoto-1024x684.jpg 1024w, https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NB2023_Padungsak-Kochsomrong__DSC3708_Credit-Kazuyuki-Miyamoto-300x200.jpg 300w, https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NB2023_Padungsak-Kochsomrong__DSC3708_Credit-Kazuyuki-Miyamoto-768x513.jpg 768w, https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NB2023_Padungsak-Kochsomrong__DSC3708_Credit-Kazuyuki-Miyamoto-1536x1025.jpg 1536w, https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NB2023_Padungsak-Kochsomrong__DSC3708_Credit-Kazuyuki-Miyamoto-272x182.jpg 272w, https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NB2023_Padungsak-Kochsomrong__DSC3708_Credit-Kazuyuki-Miyamoto.jpg 2048w\" sizes=\"(max-width: 840px) 100vw, 840px\" \/><\/strong><\/p>\n<p>Picture 1: Consideration Area (2023) by Padungsak Kochsomrong, <span data-huuid=\"2799753336154385834\">courtesy of<\/span> the Nakanojo Biennale Committee<br \/>\nPhoto by Kazuyuki Miyamoto<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u0e23\u0e32\u0e22\u0e25\u0e30\u0e40\u0e2d\u0e35\u0e22\u0e14\u0e02\u0e2d\u0e07\u0e1c\u0e25\u0e07\u0e32\u0e19<br \/>\nArtwork Details<\/strong><\/p>\n<p><em>Consideration Area<\/em><\/p>\n<p data-start=\"177\" 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\/>\n\u0e01\u0e32\u0e23\u0e1b\u0e25\u0e48\u0e2d\u0e22\u0e27\u0e32\u0e07\u0e08\u0e32\u0e01\u0e04\u0e27\u0e32\u0e21\u0e22\u0e36\u0e14\u0e15\u0e34\u0e14\u0e41\u0e25\u0e30\u0e01\u0e32\u0e23\u0e40\u0e25\u0e37\u0e2d\u0e01\u0e02\u0e49\u0e32\u0e07\u0e40\u0e1b\u0e47\u0e19\u0e2a\u0e34\u0e48\u0e07\u0e17\u0e35\u0e48\u0e0a\u0e48\u0e27\u0e22\u0e43\u0e2b\u0e49\u0e40\u0e01\u0e34\u0e14\u0e04\u0e27\u0e32\u0e21\u0e2a\u0e21\u0e14\u0e38\u0e25 \u0e01\u0e32\u0e23\u0e2d\u0e22\u0e39\u0e48\u0e23\u0e48\u0e27\u0e21\u0e01\u0e31\u0e19\u0e02\u0e2d\u0e07\u0e21\u0e19\u0e38\u0e29\u0e22\u0e4c\u0e04\u0e27\u0e23\u0e15\u0e31\u0e49\u0e07\u0e2d\u0e22\u0e39\u0e48\u0e1a\u0e19\u0e1e\u0e37\u0e49\u0e19\u0e10\u0e32\u0e19\u0e02\u0e2d\u0e07\u0e01\u0e32\u0e23\u0e40\u0e02\u0e49\u0e32\u0e43\u0e08\u0e0b\u0e36\u0e48\u0e07\u0e01\u0e31\u0e19\u0e41\u0e25\u0e30\u0e01\u0e31\u0e19<\/p>\n<p data-start=\"741\" 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\u0e04\u0e27\u0e32\u0e21\u0e22\u0e37\u0e14\u0e2b\u0e22\u0e38\u0e48\u0e19\u0e41\u0e25\u0e30\u0e01\u0e32\u0e23\u0e40\u0e1c\u0e0a\u0e34\u0e0d\u0e2b\u0e19\u0e49\u0e32\u0e01\u0e31\u0e1a\u0e04\u0e27\u0e32\u0e21\u0e08\u0e23\u0e34\u0e07\u0e40\u0e1b\u0e47\u0e19\u0e2a\u0e34\u0e48\u0e07\u0e2a\u0e33\u0e04\u0e31\u0e0d\u0e43\u0e19\u0e01\u0e32\u0e23\u0e14\u0e33\u0e40\u0e19\u0e34\u0e19\u0e0a\u0e35\u0e27\u0e34\u0e15<br \/>\n\u0e01\u0e32\u0e23\u0e21\u0e35\u0e40\u0e1b\u0e49\u0e32\u0e2b\u0e21\u0e32\u0e22\u0e17\u0e33\u0e43\u0e2b\u0e49\u0e40\u0e23\u0e32\u0e15\u0e49\u0e2d\u0e07\u0e43\u0e0a\u0e49\u0e2a\u0e15\u0e34 \u0e40\u0e1e\u0e23\u0e32\u0e30\u0e04\u0e27\u0e32\u0e21\u0e22\u0e37\u0e14\u0e2b\u0e22\u0e38\u0e48\u0e19\u0e2b\u0e21\u0e32\u0e22\u0e16\u0e36\u0e07\u0e04\u0e27\u0e32\u0e21\u0e40\u0e1b\u0e47\u0e19\u0e2d\u0e34\u0e2a\u0e23\u0e30\u0e41\u0e25\u0e30\u0e01\u0e32\u0e23\u0e40\u0e1c\u0e0a\u0e34\u0e0d\u0e2b\u0e19\u0e49\u0e32\u0e01\u0e31\u0e1a\u0e40\u0e27\u0e25\u0e32 \u0e2a\u0e16\u0e32\u0e19\u0e17\u0e35\u0e48 \u0e41\u0e25\u0e30\u0e2a\u0e16\u0e32\u0e19\u0e01\u0e32\u0e23\u0e13\u0e4c\u0e40\u0e1e\u0e37\u0e48\u0e2d\u0e01\u0e49\u0e32\u0e27\u0e44\u0e1b\u0e2a\u0e39\u0e48\u0e08\u0e38\u0e14\u0e2b\u0e21\u0e32\u0e22<\/p>\n<p data-start=\"1366\" data-end=\"1568\">\u0e41\u0e19\u0e27\u0e04\u0e34\u0e14\u0e40\u0e2b\u0e25\u0e48\u0e32\u0e19\u0e35\u0e49\u0e40\u0e01\u0e34\u0e14\u0e08\u0e32\u0e01\u0e1b\u0e23\u0e30\u0e2a\u0e1a\u0e01\u0e32\u0e23\u0e13\u0e4c\u0e40\u0e14\u0e34\u0e19\u0e17\u0e32\u0e07\u0e02\u0e2d\u0e07\u0e40\u0e02\u0e32 \u0e0b\u0e36\u0e48\u0e07\u0e17\u0e33\u0e43\u0e2b\u0e49\u0e44\u0e14\u0e49\u0e1e\u0e1a\u0e01\u0e31\u0e1a\u0e1c\u0e39\u0e49\u0e04\u0e19\u0e08\u0e32\u0e01\u0e27\u0e31\u0e12\u0e19\u0e18\u0e23\u0e23\u0e21\u0e17\u0e35\u0e48\u0e2b\u0e25\u0e32\u0e01\u0e2b\u0e25\u0e32\u0e22\u0e41\u0e25\u0e30\u0e44\u0e14\u0e49\u0e40\u0e2b\u0e47\u0e19\u0e04\u0e27\u0e32\u0e21\u0e07\u0e32\u0e21\u0e41\u0e25\u0e30\u0e1e\u0e25\u0e31\u0e07\u0e02\u0e2d\u0e07\u0e41\u0e15\u0e48\u0e25\u0e30\u0e1a\u0e38\u0e04\u0e04\u0e25<br \/>\n\u0e2a\u0e34\u0e48\u0e07\u0e40\u0e2b\u0e25\u0e48\u0e32\u0e19\u0e35\u0e49\u0e44\u0e14\u0e49\u0e01\u0e25\u0e32\u0e22\u0e21\u0e32\u0e40\u0e1b\u0e47\u0e19\u0e41\u0e23\u0e07\u0e1a\u0e31\u0e19\u0e14\u0e32\u0e25\u0e43\u0e08\u0e43\u0e19\u0e01\u0e32\u0e23\u0e2a\u0e23\u0e49\u0e32\u0e07\u0e2a\u0e23\u0e23\u0e04\u0e4c\u0e07\u0e32\u0e19\u0e28\u0e34\u0e25\u0e1b\u0e30\u0e2d\u0e22\u0e48\u0e32\u0e07\u0e15\u0e48\u0e2d\u0e40\u0e19\u0e37\u0e48\u0e2d\u0e07<\/p>\n<p>In 2023, Padungsak Kochsomrong presented his work, <em>Consideration Area<\/em>, at the Nakanojo Biennale.<\/p>\n<p>Through travel, he connects with diverse cultures, blending artistic expression with social issues, viewpoints, and critical reflections.<br \/>\nHis work encourages questioning, satire, and personal interpretation, fostering exchanges of ideas.<br \/>\nTravel deepens our understanding of human connections and the natural and social diversity surrounding us.<br \/>\nBy removing biases and preconceptions, balance can be achieved, allowing for coexistence based on mutual respect.<\/p>\n<p>He compares this idea to the relationship between the sun and the moon\u2014two celestial bodies vital to human life in different ways, symbolizing prosperity, joy, sorrow, rebirth, and the cycle of day and night. Though they never merge, they sustain life through their unique roles, acknowledging each other\u2019s significance without diminishing their own.<br \/>\nSimilarly, in human interactions, unity should not come at the cost of suppressing individuality.<br \/>\nInstead, true harmony comes from embracing both flexibility and resilience, adapting to time, place, and circumstances while staying mindful of one\u2019s purpose.<\/p>\n<p>These insights stem from his journeys, where meeting people from different backgrounds has allowed him to appreciate their distinct strengths and beauty\u2014continuously inspiring his artistic practice.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u0e40\u0e01\u0e35\u0e48\u0e22\u0e27\u0e01\u0e31\u0e1a\u0e40\u0e17\u0e28\u0e01\u0e32\u0e25\u0e28\u0e34\u0e25\u0e1b\u0e30 Nakanojo Biennale<br \/>\n<\/strong><strong>About Nakanojo Biennale<\/strong><\/p>\n<p data-start=\"1611\" data-end=\"1963\">Nakanojo Biennale \u0e40\u0e1b\u0e47\u0e19\u0e40\u0e17\u0e28\u0e01\u0e32\u0e25\u0e28\u0e34\u0e25\u0e1b\u0e30\u0e23\u0e48\u0e27\u0e21\u0e2a\u0e21\u0e31\u0e22\u0e19\u0e32\u0e19\u0e32\u0e0a\u0e32\u0e15\u0e34\u0e17\u0e35\u0e48\u0e08\u0e31\u0e14\u0e02\u0e36\u0e49\u0e19\u0e17\u0e38\u0e01 \u0e46 \u0e2a\u0e2d\u0e07\u0e1b\u0e35\u0e17\u0e35\u0e48\u0e40\u0e21\u0e37\u0e2d\u0e07\u0e19\u0e32\u0e04\u0e32\u0e42\u0e19\u0e42\u0e08 \u0e08\u0e31\u0e07\u0e2b\u0e27\u0e31\u0e14\u0e01\u0e38\u0e19\u0e21\u0e30 \u0e1b\u0e23\u0e30\u0e40\u0e17\u0e28\u0e0d\u0e35\u0e48\u0e1b\u0e38\u0e48\u0e19<br \/>\n\u0e17\u0e48\u0e32\u0e21\u0e01\u0e25\u0e32\u0e07\u0e20\u0e39\u0e21\u0e34\u0e17\u0e31\u0e28\u0e19\u0e4c\u0e20\u0e39\u0e40\u0e02\u0e32\u0e2d\u0e31\u0e19\u0e07\u0e14\u0e07\u0e32\u0e21 \u0e2b\u0e21\u0e39\u0e48\u0e1a\u0e49\u0e32\u0e19\u0e2d\u0e2d\u0e19\u0e40\u0e0b\u0e47\u0e19\u0e17\u0e35\u0e48\u0e21\u0e35\u0e1b\u0e23\u0e30\u0e27\u0e31\u0e15\u0e34\u0e28\u0e32\u0e2a\u0e15\u0e23\u0e4c\u0e22\u0e32\u0e27\u0e19\u0e32\u0e19 \u0e23\u0e27\u0e21\u0e16\u0e36\u0e07\u0e1b\u0e23\u0e30\u0e40\u0e1e\u0e13\u0e35\u0e17\u0e49\u0e2d\u0e07\u0e16\u0e34\u0e48\u0e19\u0e2d\u0e22\u0e48\u0e32\u0e07\u0e01\u0e32\u0e23\u0e40\u0e25\u0e35\u0e49\u0e22\u0e07\u0e44\u0e2b\u0e21 \u0e40\u0e17\u0e28\u0e01\u0e32\u0e25 \u0e41\u0e25\u0e30\u0e28\u0e34\u0e25\u0e1b\u0e30\u0e1e\u0e37\u0e49\u0e19\u0e1a\u0e49\u0e32\u0e19<br \/>\n\u0e40\u0e21\u0e37\u0e2d\u0e07\u0e19\u0e32\u0e04\u0e32\u0e42\u0e19\u0e42\u0e08\u0e21\u0e2d\u0e1a\u0e42\u0e2d\u0e01\u0e32\u0e2a\u0e1e\u0e34\u0e40\u0e28\u0e29\u0e43\u0e2b\u0e49\u0e1c\u0e39\u0e49\u0e21\u0e32\u0e40\u0e22\u0e37\u0e2d\u0e19\u0e44\u0e14\u0e49\u0e2a\u0e31\u0e21\u0e1c\u0e31\u0e2a\u0e01\u0e31\u0e1a\u0e27\u0e31\u0e12\u0e19\u0e18\u0e23\u0e23\u0e21\u0e17\u0e35\u0e48\u0e44\u0e21\u0e48\u0e2a\u0e32\u0e21\u0e32\u0e23\u0e16\u0e1e\u0e1a\u0e44\u0e14\u0e49\u0e08\u0e32\u0e01\u0e17\u0e35\u0e48\u0e2d\u0e37\u0e48\u0e19<\/p>\n<p data-start=\"1965\" data-end=\"2220\">\u0e28\u0e34\u0e25\u0e1b\u0e34\u0e19\u0e17\u0e35\u0e48\u0e40\u0e02\u0e49\u0e32\u0e23\u0e48\u0e27\u0e21\u0e08\u0e30\u0e1e\u0e33\u0e19\u0e31\u0e01\u0e41\u0e25\u0e30\u0e2a\u0e23\u0e49\u0e32\u0e07\u0e2a\u0e23\u0e23\u0e04\u0e4c\u0e1c\u0e25\u0e07\u0e32\u0e19\u0e20\u0e32\u0e22\u0e43\u0e19\u0e0a\u0e38\u0e21\u0e0a\u0e19\u0e1a\u0e19\u0e20\u0e39\u0e40\u0e02\u0e32 \u0e01\u0e48\u0e2d\u0e19\u0e19\u0e33\u0e40\u0e2a\u0e19\u0e2d\u0e1c\u0e25\u0e07\u0e32\u0e19\u0e02\u0e2d\u0e07\u0e15\u0e19\u0e43\u0e19\u0e0a\u0e48\u0e27\u0e07\u0e40\u0e17\u0e28\u0e01\u0e32\u0e25<br \/>\n\u0e17\u0e32\u0e07\u0e1c\u0e39\u0e49\u0e08\u0e31\u0e14\u0e07\u0e32\u0e19\u0e40\u0e1b\u0e34\u0e14\u0e23\u0e31\u0e1a\u0e28\u0e34\u0e25\u0e1b\u0e34\u0e19\u0e17\u0e31\u0e49\u0e07\u0e08\u0e32\u0e01\u0e0d\u0e35\u0e48\u0e1b\u0e38\u0e48\u0e19\u0e41\u0e25\u0e30\u0e17\u0e31\u0e48\u0e27\u0e42\u0e25\u0e01\u0e17\u0e35\u0e48\u0e21\u0e35\u0e41\u0e19\u0e27\u0e04\u0e34\u0e14\u0e2a\u0e23\u0e49\u0e32\u0e07\u0e2a\u0e23\u0e23\u0e04\u0e4c\u0e41\u0e25\u0e30\u0e42\u0e04\u0e23\u0e07\u0e01\u0e32\u0e23\u0e17\u0e35\u0e48\u0e19\u0e48\u0e32\u0e2a\u0e19\u0e43\u0e08\u0e08\u0e32\u0e01\u0e2b\u0e25\u0e32\u0e01\u0e2b\u0e25\u0e32\u0e22\u0e2a\u0e32\u0e02\u0e32<\/p>\n<p>The Nakanojo Biennale is a biennial international contemporary art festival held in Nakanojo Town, Gunma Prefecture. Surrounded by breathtaking mountain landscapes, Ramsar wetlands, historic hot spring villages, and rich cultural traditions like sericulture, festivals, and folk arts, Nakanojo provides a unique setting for artistic exploration.<\/p>\n<p>Participating artists reside and create within the local mountain communities, presenting their works during the festival.<br \/>\nAs the event prepares for its tenth edition in 2025, the Nakanojo Biennale welcomes artists from Japan and around the world, encouraging innovative ideas across various disciplines.<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-large wp-image-1477\" src=\"https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NAKANOJO-BIENNALE-original-Catalogue-724x1024.jpg\" alt=\"\" width=\"724\" height=\"1024\" srcset=\"https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NAKANOJO-BIENNALE-original-Catalogue-724x1024.jpg 724w, https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NAKANOJO-BIENNALE-original-Catalogue-212x300.jpg 212w, https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NAKANOJO-BIENNALE-original-Catalogue-768x1086.jpg 768w, https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NAKANOJO-BIENNALE-original-Catalogue-1086x1536.jpg 1086w, https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NAKANOJO-BIENNALE-original-Catalogue.jpg 1447w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/p>\n<p>Picture 2: Consideration Area (2023) by Padungsak Kochsomrong from Nakanojo Biennale 2023&#8217;s Catalogue Page 87<br \/>\n<span data-huuid=\"2799753336154385834\">Courtesy of<\/span> the Nakanojo Biennale Committee<br \/>\nPhoto by Kazuyuki Miyamoto<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Credits<\/strong><\/p>\n<p><strong>Artist:<\/strong> Padungsak Kochsomrong, <span data-huuid=\"2799753336154385834\">In courtesy of<\/span> the Nakanojo Biennale Committee<br \/>\n\u00a9 2007\u20132025 Nakanojo Biennale<\/p>\n<p>This work was granted co-support by the Office of Research Administration, and the Faculty of Fine Arts, Chiang Mai University<\/p>\n<p>Read the full text in Japanese here<br \/>\n<a href=\"https:\/\/nakanojo-biennale.com\/artist\/padungsak-kochsomrong\" target=\"_blank\" rel=\"noopener\">https:\/\/nakanojo-biennale.com\/artist\/padungsak-kochsomrong<\/a><\/p>\n<p><em>All photos are copyrighted by their respective photographers.<\/em><\/p>\n<p><strong>Official Photographers:<\/strong><\/p>\n<ul>\n<li>Fumihito Nagai<\/li>\n<li>Kazuyuki Miyamoto<\/li>\n<\/ul>\n<p><strong>Staff:<\/strong><\/p>\n<ul>\n<li>Miho Nishikata<\/li>\n<\/ul>\n<div id='gallery-1' class='gallery galleryid-1449 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.finearts.cmu.ac.th\/research\/2025\/02\/11\/art-archived-001\/nb2023_padungsak-kochsomrong__dsc3708_credit-kazuyuki-miyamoto\/'><img width=\"150\" height=\"150\" src=\"https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NB2023_Padungsak-Kochsomrong__DSC3708_Credit-Kazuyuki-Miyamoto-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" loading=\"lazy\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.finearts.cmu.ac.th\/research\/2025\/02\/11\/art-archived-001\/nb2023_padungsak-kochsomrong__dsc3723_credit-kazuyuki-miyamoto\/'><img width=\"150\" height=\"150\" src=\"https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NB2023_Padungsak-Kochsomrong__DSC3723_Credit-Kazuyuki-Miyamoto-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" loading=\"lazy\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.finearts.cmu.ac.th\/research\/2025\/02\/11\/art-archived-001\/nb2023_padungsak-kochsomrong__dsc3724_credit-kazuyuki-miyamoto\/'><img width=\"150\" height=\"150\" src=\"https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NB2023_Padungsak-Kochsomrong__DSC3724_Credit-Kazuyuki-Miyamoto-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" loading=\"lazy\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.finearts.cmu.ac.th\/research\/2025\/02\/11\/art-archived-001\/nb2023_padungsak-kochsomrong__dsc3731_credit-kazuyuki-miyamoto\/'><img width=\"150\" height=\"150\" src=\"https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NB2023_Padungsak-Kochsomrong__DSC3731_Credit-Kazuyuki-Miyamoto-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" loading=\"lazy\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.finearts.cmu.ac.th\/research\/2025\/02\/11\/art-archived-001\/nb2023_padungsak-kochsomrong__dsc4619_credit-fumihito-nagai\/'><img width=\"150\" height=\"150\" src=\"https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NB2023_Padungsak-Kochsomrong__DSC4619_Credit-Fumihito-Nagai-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" loading=\"lazy\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.finearts.cmu.ac.th\/research\/2025\/02\/11\/art-archived-001\/nb2023_padungsak-kochsomrong__dsc4626_credit-fumihito-nagai\/'><img width=\"150\" height=\"150\" src=\"https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NB2023_Padungsak-Kochsomrong__DSC4626_Credit-Fumihito-Nagai-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" loading=\"lazy\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.finearts.cmu.ac.th\/research\/2025\/02\/11\/art-archived-001\/nb2023_padungsak-kochsomrong__dsc5278_credit-fumihito-nagai\/'><img width=\"150\" height=\"150\" src=\"https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NB2023_Padungsak-Kochsomrong__DSC5278_Credit-Fumihito-Nagai-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" loading=\"lazy\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.finearts.cmu.ac.th\/research\/2025\/02\/11\/art-archived-001\/nb2023_padungsak-kochsomrong__dsc5282_credit-fumihito-nagai\/'><img width=\"150\" height=\"150\" src=\"https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NB2023_Padungsak-Kochsomrong__DSC5282_Credit-Fumihito-Nagai-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" loading=\"lazy\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.finearts.cmu.ac.th\/research\/2025\/02\/11\/art-archived-001\/nb2023_padungsak-kochsomrong__dsc5291_credit-fumihito-nagai\/'><img width=\"150\" height=\"150\" 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src=\"https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NB2023_Padungsak-Kochsomrong__DSC9813_Credit-Miho-Nishikata-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" loading=\"lazy\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.finearts.cmu.ac.th\/research\/2025\/02\/11\/art-archived-001\/nb2023_padungsak-kochsomrong__dsc9816_credit-miho-nishikata\/'><img width=\"150\" height=\"150\" src=\"https:\/\/www.finearts.cmu.ac.th\/research\/wp-content\/uploads\/sites\/13\/2025\/02\/NB2023_Padungsak-Kochsomrong__DSC9816_Credit-Miho-Nishikata-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" decoding=\"async\" loading=\"lazy\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0e1c\u0e25\u0e07\u0e32\u0e19\u0e02\u0e2d\u0e07\u0e23\u0e2d\u0e07\u0e28\u0e32\u0e2a\u0e15\u0e23\u0e32\u0e08\u0e32\u0e23\u0e22\u0e4c\u0e1e\u0e14\u0e38\u0e07\u0e28\u0e31\u0e01\u0e14\u0e34\u0e4c \u0e04\u0e0a\u0e2a\u0e33\u0e42\u0e23\u0e07 \u0e43\u0e19\u0e40\u0e17\u0e28\u0e01\u0e32\u0e25\u0e28\u0e34\u0e25\u0e1b\u0e30\u0e19\u0e32\u0e04\u0e32\u0e42\u0e19\u0e42\u0e08\u0e40\u0e1a\u0e35\u0e22\u0e19\u0e19\u0e32\u0e40\u0e25\u0e48 2023 Padungsak Kochsomrong\u2019s Work at Nakanojo Biennale 2023 Consideration Area Picture 1: Consideration Area (2023) by Padungsak Kochsomrong, courtesy of the Nakanojo Biennale Committee Photo by Kazuyuki Miyamoto &nbsp; \u0e23\u0e32\u0e22\u0e25\u0e30\u0e40\u0e2d\u0e35\u0e22\u0e14\u0e02\u0e2d\u0e07\u0e1c\u0e25\u0e07\u0e32\u0e19 Artwork Details Consideration Area \u0e43\u0e19\u0e1b\u0e35 2023 \u0e1e\u0e14\u0e38\u0e07\u0e28\u0e31\u0e01\u0e14\u0e34\u0e4c 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